Britannia Row Productions was one of the first companies globally to make an investment in Sennheiser’s new Digital 6000 series, instantly deploying it on Robbie Williams’ The Heavy Entertainment Show tour, which started in Europe last summer and continues with dates in New Zealand and Australia in February and March this year. Robbie played to over 1.1 million fans during the first leg, which took in stadiums, fields and arenas around Europe, and Digital 6000 performed flawlessly throughout.
Robbie’s long-term front-of-house engineer Simon Hodge had used a Sennheiser SKM 5200 wireless microphone for him since 2013 and was very happy with his choice. However, the continuing reduction in RF spectrum prompted a look at Sennheiser’s new Digital 6000 system, which offers the same audio quality as the company’s flagship Digital 9000 series microphones in a two-channel receiver. With its intermodulation-free operation, and proprietary audio codec, which benefits from Sennheiser’s error correction and error concealment that reconstructs the audio signal in less than ideal RF environments, it became a very attractive alternative.
“It seemed a very good idea to look at Sennheiser’s digital option as it helps with reducing spectrum usage which, with a show that has so much RF, really helps us,” says Brit Row’s Josh Lloyd. “And once we auditioned them, the sonic benefits were very clear; the vocal sounds a lot more open and natural and the bleed from other sources down the mics is far cleaner and less problematic for us.”
“The process of arranging the initial demo was quite challenging, as the 6000 series was still in the final stages of production and not yet released,” explains Sennheiser Artist Relations Manager Jack Drury. “But we were really keen for Brit Row to try the system with Robbie, as we believed it would be a great fit for the tour.”
A coordinated effort between Sennheiser’s Kevin Gwyther-Brown and Jack Drury, alongside Chris Lamb from Brit Row meant Sennheiser was able to provide a demo solution to Robbie’s team, just in time for the tour.
“We use it in conjunction with a custom 9235-J capsule that Sennheiser kindly custom-made for us for this tour,” said Josh.
“The 9235-J capsule design was based on the 5235-J, originally intended for the Japanese market, and features a slight notch in the low-mid response of the capsule,” added Jack. “The 9000 Series version was custom-built by Heinz Epping at Sennheiser’s small scale production facility in Germany especially for the Robbie tour.”
The audio system also includes 24 channels of Sennheiser 2050 wireless monitors, chosen for their ultimate reliability.
“Sennheiser’s support with the whole process has been very good,” concludes Josh. “We’re delighted with how our Digital 6000 system has performed so far and looking forward to the Australasian dates this year.”
塑造未來音頻並為客戶創建獨特的聲音體驗-這就是Sennheiser全體員工和全球合作夥伴共同的目標。成立於1945年的Sennheiser一直是全球範圍內耳機、咪高峰和無線傳輸系統產品製造廠商中的佼佼者。公司在50多個國家中擁有21個銷售公司和長期的貿易合作夥伴，並且在德國、愛爾蘭、羅馬尼亞和美國擁有自己管理和控制的產品生產基地。自2013年以來，Sennheiser公司開始由Daniel Sennheiser和Dr. Andreas Sennheiser共同管理，成為了家族企業的第三代管理者。在2017年，Sennheiser集團的整體營業額達到了6.667億歐元。